TABLE OF CONTENTS.
Letter of Pope Pius X. to the Abbess of Stanbrook.
Preface.
PART I.
Practical.
Chapter I. Historical Sketch i
Chapter II. The Pronunciation of Latin 6
Chapter III. Notation 12
Chapter IV. Tonality 20
Chapter V. Rhythm 34
Chapter VI. Psalmody 46
Chapter VII. Hymnody 59
Chapter VIII. Accompaniment 62
Chapter IX. The Sung Parts of the Mass, and Vespers 64
Chapter X. The Liturgical Recitatives 70
Chapter XI. The Liturgical Books 79
APPENDIX. Broken Mediations of the Psalm-tones [1]
PART II.
THEORY OF RHYTHM.
Grammar. 6

TABLE OF CONTENTS.
PART II.
Theory of Rhythm.
Chapter I. Introductory 83
Chapter II. The Individual Beat 86
Chapter III. The Rhythmic Bar 88
Chapter IV. The Compound Beat 94
Chapter V. Compound Rhythm 96
Chapter VI. The Sections and Phrases 100
Chapter VII. The Period 103

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